{"id":9,"date":"2013-08-03T05:22:16","date_gmt":"2013-08-03T05:22:16","guid":{"rendered":"http:\/\/alaipiano.com\/?page_id=9"},"modified":"2013-08-03T05:22:16","modified_gmt":"2013-08-03T05:22:16","slug":"%e5%ad%a6%e4%b9%a0%e5%9b%ad%e5%9c%b0","status":"publish","type":"page","link":"https:\/\/www.alaipiano.com\/?page_id=9","title":{"rendered":"\u5b66\u4e60\u56ed\u5730"},"content":{"rendered":"\n\n\n
\n
\n\n\n\n\n\n
\n
2011-2012<\/b>\u5e74\u82f1\u7687\u8003\u7ea7<\/b>(ABRSM)<\/b>\u94a2\u7434\u6f14\u594f\u8003\u8bd5\u5185\u5bb9<\/b>(<\/b>\u4e2d\u82f1\u5bf9\u7167\uff09<\/b><\/b><\/div>\n<\/td>\n<\/tr>\n
\n
<\/div>\n<\/td>\n<\/tr>\n
\n
ABRSM Piano Syllabus 2011 & 2012
\n2011-2012\u5e74\u82f1\u7687\u8003\u7ea7(ABRSM)\u94a2\u7434\u6f14\u594f\u8003\u8bd5\u5185\u5bb9
\n\u82f1\u7687\u8003\u7ea7(ABRSM)\u94a2\u7434\u6f14\u594f\u7684\u8003\u8bd5\u5185\u5bb9\u51e0\u4e4e\u6bcf\u9694\u4e24\u5e74\u4fbf\u4f1a\u5728\u66f2\u76ee\u65b9\u9762\u505a\u51fa\u6539\u53d8\uff0c\u800c\u4e14\u96be\u5ea6\u4f3c\u4e4e\u6709\u9010\u6e10\u52a0\u5927\u7684\u8d8b\u52bf\u3002\u4ece\u4eca\u5e74\u5f00\u59cb\uff0c\u4e0d\u4f46\u66f2\u76ee\u6539\u53d8\u4e86\uff0c\u8fde\u97f3\u9636\u4e5f\u505a\u4e86\u4e00\u6b21\u5927\u8c03\u6574\uff0c\u5728\u539f\u6709\u7684\u57fa\u7840\u4e0a\u6bcf\u4e2a\u7ea7\u522b\u90fd\u6709\u6240\u5220\u51cf\u6216\u589e\u52a0\u3002\u4ee5\u4e0b\u662f\u6bcf\u4e2a\u7ea7\u522b\u8003\u8bd5\u5185\u5bb9\u7684\u8be6\u7ec6\u5217\u8868\uff0c\u5e0c\u671b\u80fd\u7ed9\u5927\u5bb6\u5e26\u6765\u5e2e\u52a9\u3002<\/p>\n

Piano GRADE 1\u3000\u94a2\u7434\u4e00\u7ea7
\nSCALES AND BROKEN CHORDS*: see also p. 6
\nScales
\nC, G, D, F majors , A, D minors (melodic or harmonic at candidate\u2019s choice)
\nhands separately (L.H. may, at candidate\u2019s choice, be played descending and ascending)
\n2 octaves
\nContrary-motion scale
\nC major
\nhands beginning on the key-note (unison)
\n1 octave
\nBroken chords
\nC, G, F majors,\u3000A, D minors
\nhands separately, as pattern below:<\/p>\n

\u97f3\u9636\u4e0e\u5206\u89e3\u548c\u5f26\uff1a
\n\u97f3\u9636\uff1a
\nC\uff0cG\uff0cD\uff0cF\u5927\u8c03 ,\u4ee5\u53caA\uff0cD\u5c0f\u8c03\uff08\u7531\u8003\u751f\u9009\u62e9\u65cb\u5f8b\u6216\u548c\u58f0\u5c0f\u8c03\uff09
\n\u5206\u624b\u5f39\u594f\uff08\u5de6\u624b\u5f39\u594f\u65f6\uff0c\u8003\u751f\u53ef\u9009\u62e9\u5148\u4e0b\u884c\u540e\u4e0a\u884c\u7684\u987a\u5e8f\u5f39\u594f\uff09
\n2\u4e2a\u516b\u5ea6
\n\u53cd\u5411\u97f3\u9636\uff1a
\nC\u5927\u8c03
\n\u53cc\u624b\u4ece\u4e3b\u97f3\uff08\u540c\u97f3\uff09\u5f00\u59cb\u5f39\u594f
\n1\u4e2a\u516b\u5ea6
\n\u5206\u89e3\u548c\u5f26\uff1a
\nC\uff0cG\uff0cF\u5927\u8c03\u4ee5\u53caA\uff0cD\u5c0f\u8c03<\/p>\n

THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
\n\u4e09\u9996\u66f2\u76ee\uff1a\u8003\u751f\u4eceA\u3001B\u3001C\u4e09\u5957\u66f2\u76ee\u4e2d\u5206\u522b\u9009\u62e9\u4e00\u9996<\/p>\n

LIST A
\n1 Anon. Menuet in F: No. 6 from Nannerl Notenbuch
\n2 Haydn Andante (from Symphony No. 94, 2nd movt), arr. Bullard
\n3 Hook Gavotta: No. 3 from 24 Progressive Lessons, Op. 81 Selected Piano Exam Pieces 2011 & 2012, Grade 1 (ABRSM)
\n4 J. C. F. Bach Schwaebisch in D. No. 6 from Clavierst\u00fccke f\u00fcr Anf\u92d8ger (Schott ED 2572\/MDS)
\n5 Naudot Babiole. Piano Progress, Book 1, arr. Waterman and Harewood (Faber)
\n6 Purcell A Song Tune, Z. T695. No. 3 from Purcell Miscellaneous Keyboard Pieces (Stainer & Bell K22)<\/p>\n

LIST B
\n1 Pauline Hall Tarantella
\n2 Martha Mier A Story from Long Ago: from Romantic Sketches, Book 1
\n3 Swinstead ATender Flower Selected Piano Exam Pieces 2011 &2012, Grade 1 (ABRSM)
\n4 Rybicki Longing: from I Begin to Play, Op. 20 (PWM 5630130\/MDS) or Pianoworks Collection 1, arr. Bullard
\n(OUP)
\n5 Schubert The Trout. Simply Classics, Grades 0\u20131, arr. Gritton (Faber)
\n6 Schumann Soldatenmarsch (Soldiers\u2019 March): No. 2 from Album f\u00fcr die Jugend, Op. 68 (ABRSM) also in Schumann for Younger People and More Romantic Pieces for Piano, Book 1 (ABRSM)<\/p>\n

LIST C
\n1 Foster Camptown Races, arr. Proctor
\n2 Fiona Macardle Late at Night\u3000Selected Piano Exam Pieces 2011 & 2012, Grade 1 (ABRSM)
\n3 Kevin Wooding Vampire Blues
\n4 Bart\u00f3k Quasi adagio: No. 3 from For Children, Vol. 1 (Boosey & Hawkes\/MDS)
\n5 Janina Gar\u2032scia Allegretto: 1st movt from Sonatina in C, Op. 51 No. 1. Gar\u2032scia Little Sonatinas (PWM 8029040\/ MDS)
\n6 Lajos Papp Grasshopper: No. 15 from 22 Little Piano Pieces (Editio Musica Budapest Z.13216\/FM Distribution)<\/p>\n

SIGHT-READING*: a four- or six-bar piece in4\/4, 3\/4 or 2\/4in C, G or F majors, Aor D minors, with each handplaying separately and in a five-finger position. Simple dynamics, note values, articulations and occasional accidentals (within minor keys only) may be encountered. See also p. 7.
\n\u89c6\u594f\uff1a\u5728C\u3001G\u3001D\u3001F\u5927\u8c03\u548cA\u3001D\u5c0f\u8c03\u8303\u56f4\u5185\uff0c\u7528\u4e94\u6307\u624b\u4f4d\u5206\u624b\u5f39\u594f\u4e00\u99964\/4\u30013\/4\u62162\/4\u76844\u81f36\u5c0f\u8282\u7684\u4e50\u66f2\u3002\u53ef\u80fd\u4f1a\u9047\u5230\u4e00\u4e9b\u7b80\u5355\u7684\u8868\u793a\u529b\u5ea6\u3001\u97f3\u7b26\u65f6\u503c\u548c\u53d1\u97f3\u7684\u8bb0\u53f7\u4ee5\u53ca\u4e34\u65f6\u8bb0\u53f7\uff08\u53ea\u5728\u5c0f\u8c03\u4e2d\u51fa\u73b0\uff09\u3002<\/p>\n

AURAL TESTS FOR THE GRADE*: see pp. 20 and 21<\/p>\n

Piano GRADE 2\u3000 \u94a2\u7434\u4e8c\u7ea7<\/p>\n

SCALES, ARPEGGIOS AND BROKEN CHORDS*: see also p. 6
\nScales (similar motion)
\nG, D, A, F majors E, D, G minors\u3000(melodic or harmonic at candidate\u2019s choice)
\nhands together and separately
\n2 octaves
\nContrary-motion scales
\nC, E majors
\nhands beginning on the key-note (unison)
\n2 octaves
\nChromatic scale
\nbeginning on D
\nhands separately
\n1 octave
\nArpeggios
\nG, D, A majors, D, G minors
\nhands separately
\n2 octaves
\nBroken chords
\nF major , E minor
\nhands separately, as pattern below:
\n2 octaves<\/p>\n

\u97f3\u9636\u3001\u7436\u97f3\u4e0e\u5206\u89e3\u548c\u5f26\uff1a\u53c2\u9605\u201c\u57fa\u672c\u89c4\u5219\u201dd
\n\u97f3\u9636\uff08\u540c\u5411\uff09\uff1a
\nG\uff0cD\uff0cA\uff0cF\u5927\u8c03\u4ee5\u53ca\uff25,\uff24,\uff27\u5c0f\u8c03\uff08\u7531\u8003\u751f\u9009\u62e9\u65cb\u5f8b\u6216\u548c\u58f0\u5c0f\u8c03\uff09
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u53cd\u5411\u97f3\u9636\uff1a
\nC\uff0cE\u5927\u8c03
\n\u53cc\u624b\u4ece\u4e3b\u97f3\uff08\u540c\u97f3\uff09\u5f00\u59cb\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u534a\u97f3\u9636\uff1a
\n\u4eceD\u97f3\u5f00\u59cb
\n\u5206\u624b\u5f39\u594f
\n1\u4e2a\u516b\u5ea6
\n\u7436\u97f3\uff1a
\nG\uff0cD\uff0cA\u5927\u8c03
\nD, G\u5c0f\u8c03
\n\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u5206\u89e3\u548c\u5f26\uff1a
\nF\u5927\u8c03\uff0cE\u5c0f\u8c03
\n2\u4e2a\u516b\u5ea6<\/p>\n

THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
\n\u4e09\u9996\u4e50\u66f2\uff1a\u8003\u751f\u4eceA\u3001B\u3001C\u4e09\u5957\u66f2\u76ee\u4e2d\u5206\u522b\u9009\u62e9\u4e00\u9996<\/p>\n

LIST A
\n1 Daquin Suite de la r\u00e9jouissance: from Premier livre de pi\u00e8ces de clavecin
\n2 Pauline Hall, based on Haydn Military Minuet
\n3 Krieger Bourr\u00e9e (observing 1st repeat): from Sechs musicalische Partien Selected Piano Exam Pieces 2011 & 2012, Grade 2 (ABRSM)
\n4 Hummel Dialogue Taquin. No. 17 from Vienna Classic (B\u92dcenreiter BA 8756)
\n5 Petzold Menuet [II] in G minor (with no DC to Menuet I), BWV Anh. II 115. The Anna Magdalena Bach Book of 1725 (ABRSM) or Pp. 47\u201348 from Baroque Keyboard Pieces, Book 1 (ABRSM)
\n6 Vaughan Williams Two-Part Invention in G: No. 6 from A Little Piano Book (OUP)<\/p>\n

LIST B
\n1 Berkovich Mazurka
\n2 Brahms The Sandman, arr. Pike
\n3 Schubert Trio (from Symphony No. 5, 3rd movt), arr. White Selected Piano Exam Pieces 2011 & 2012, Grade 2 (ABRSM)
\n4 Duvernoy Andantino, Op. 176 No. 15. More Romantic Pieces for Piano, Book 1 (ABRSM)
\n5 Gurlitt Gavotte in A minor. No. 8 from Romantic Piano Anthology 1 (Schott ED 12912\/MDS)
\n6 Tchaikovsky Waltz (from The Sleeping Beauty). Pianoworks Collection 1, arr. Bullard (OUP)<\/p>\n

LIST C
\n1 John Kember Bah-ba-doo bah: No. 1 from Jazz Piano Studies 1
\n2 Timothy Salter Cat being bold at first
\n3 Trad. American Down by the Riverside, arr. Richards Selected Piano Exam Pieces 2011 & 2012, Grade 2 (ABRSM)
\n4 Elias Davidsson Men\u2019s Dance: from The Gift of Music (Spartan Press SP803)
\n5 Janina Gar\u2032scia In the Train: from Miniatures for Piano, Op. 5 (PWM 7490070\/MDS)
\n6 Christopher Norton Cloudy Day: No. 9 from Microjazz Collection 2 (Boosey & Hawkes\/MDS)<\/p>\n

SIGHT-READING*: a four- or six-bar piece, time and key signatures as Grade 1, with the addition of D major, E and G minors, and with each hand in a five-finger position and playing together. Some dotted and tied notes may be encountered. See also p. 7.
\n\u89c6\u594f\uff1a\u7528\u4e94\u6307\u624b\u4f4d\u5206\u624b\u5e76\u53cc\u624b\u5f39\u594f\u4e00\u99964\u81f36\u5c0f\u8282\u7684\u4e50\u66f2\uff0c\u62cd\u53f7\u548c\u8c03\u53f7\u540c\u4e00\u7ea7\uff0c\u589e\u52a0D\u5927\u8c03\u3001e\u5c0f\u8c03\u548cg\u5c0f\u8c03\u3002\u53ef\u80fd\u4f1a\u9047\u5230\u4e00\u4e9b\u9644\u70b9\u97f3\u7b26\u548c\u8fde\u97f3\u7b26\u3002<\/p>\n

AURAL TESTS FOR THE GRADE*: see pp. 20 and 21
\n\u672c\u7ea7\u7684\u542c\u89c9\u6d4b\u8bd5\uff1a\u8bf7\u53c2\u9605\u76f8\u5173\u7684\u8003\u7eb2<\/p>\n

Pinao GRADE 3\u3000\u94a2\u7434\u4e09\u7ea7<\/p>\n

SCALES AND ARPEGGIOS*: see also p. 6
\nScales (similar motion)
\nA, E, B, Bb, Eb majors,\u3000B, G, C minors (melodic or harmonic at candidate\u2019s choice)
\nhands together and separately
\n2 octaves
\nContrary-motion scales
\nA major hands A harmonic minor
\nbeginning on the key-note 2 octaves (unison)
\nChromatic scales
\nbeginning on Ab and on C
\nhands separately
\n2 octaves
\nArpeggios
\nA major G minor
\nhands together only
\n2 octaves<\/p>\n

E, B, Bb, Eb majors B, C minors
\nhands separately only
\n2 octaves<\/p>\n

\u97f3\u9636\u4e0e\u7436\u97f3\uff1a
\n\u97f3\u9636\uff08\u540c\u5411\uff09\uff1a
\nA\uff0cE\uff0cB\uff0c\u964dB\uff0c\u964dE\u5927\u8c03\u4ee5\u53ca\uff22,\uff27,\uff23\u5c0f\u8c03\uff08\u7531\u8003\u751f\u9009\u62e9\u65cb\u5f8b\u6216\u548c\u58f0\u5c0f\u8c03\uff09
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u53cd\u5411\u97f3\u9636\uff1a
\nA\u5927\u8c03\uff0c\uff21\u548c\u58f0\u5c0f\u8c03
\n\u53cc\u624b\u4ece\u4e3b\u97f3\uff08\u540c\u97f3\uff09\u5f00\u59cb\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u534a\u97f3\u9636\uff1a
\n\u4ece\u964dA\u97f3\u548cC\u97f3\u5f00\u59cb
\n\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u7436\u97f3\uff1a
\nA\u5927\u8c03\uff0c\uff27\u5c0f\u8c03
\n\u53cc\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\nE\uff0cB\uff0c\u964dB\uff0c\u964dE\u5927\u8c03 \u4ee5\u53ca\uff22,\uff23\u5c0f\u8c03
\n\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6<\/p>\n

THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
\n\u4e09\u9996\u4e50\u66f2\uff1a\u8003\u751f\u4eceA\u3001B\u3001C\u4e09\u5957\u66f2\u76ee\u4e2d\u5206\u522b\u9009\u62e9\u4e00\u9996<\/p>\n

LIST A
\n1 J. S. Bach Prelude in C, BWV 939
\n2 Dittersdorf Englischer Tanz in A: No. 19 from 20 englische Tanze
\n3 L. Kozeluch Air cosaque Selected Piano Exam Pieces 2011 & 2012,Grade 3 (ABRSM)
\n4 Beethoven Bagatelle in A minor, Op. 119 No. 9. Beethoven Bagatelles (ABRSM)
\n5 Petzold Bourr\u00e9e: from Suite de clavecin. Wiener Urtext Album: Easy Piano Pieces from Bach to Schonberg (Wiener Urtext UT 50251\/MDS)
\n6 Telemann Allegretto in C (TWV 30:23\/2). P. 19 from Telemann Easy Fugues with Little Pieces (Schott ED 9015\/MDS)<\/p>\n

LIST B
\n1 Grechaninov Sad Song: No. 1 from Beads, Op. 123
\n2 Korganov Kleiner Walzer (Little Waltz): No. 3 from Jugend-Album, Op. 25
\n3 Schumann Wilder Reiter (The Wild Horseman): No. 8 from Album f\u00fcr die Jugend, Op. 68\u3000Selected Piano Exam Pieces 2011 & 2012, Grade 3 (ABRSM)
\n4 Elgar Enigma Theme. Simply Classics, Grades 2\u20133, arr. Gritton (Faber)
\n5 Hugo Reinhold Silhouette: No. 12 from Miniatur-Bilder, Op. 39 (Doblinger 01104\/MDS)
\n6 Weber \u00e9cossaise. More Romantic Pieces for Piano, Book 1 (ABRSM)<\/p>\n

LIST C
\n1 Christian Diendorfer Tastenritt (Riding over the Keys): No. 7 from Pianinis
\n2 Alan Haughton Stroll On: from Fun Club Piano, Grade 2\u20133
\n3 Joni Mitchell Both Sides Now, arr. White\u3000Selected Piano Exam Pieces 2011 &2012, Grade 3 (ABRSM)
\n4 John Rowcroft Triple Blues: from Bigger Picture Piano, Grades 3, 4 & 5 (Spartan Press SP713)
\n5 M. Tajcevi\u2032c Allegretto scherzando: No. 3 from Lieder von der Mur-Insel (Henle 166 or Henle 166\/MDS)
\n6 Karen Tanaka Northern Lights. Spectrum 4: An International Collection of 66 Miniatures for Solo Piano(ABRSM)<\/p>\n

SIGHT-READING*: a piece of up to eight bars in length, time and key signatures as Grade 2, with the addition of3\/8 and A, Bb, Eb majors and B minor, and with hands playing together outside of a five-finger position. Occasional two-note chords in either hand may be encountered. See also p. 7.
\n\u89c6\u594f\uff1a\u7528\u53cc\u624b\u5f39\u594f\u4e00\u99968\u5c0f\u8282\u957f\u5ea6\u5185\u7684\u4e50\u66f2\uff0c\u5728\u4e94\u6307\u624b\u4f4d\u8303\u56f4\u4ee5\u5916\uff0c\u62cd\u53f7\u589e\u52a03\/8\uff0c\u8c03\u53f7\u589e\u52a0A\u3001\u964dB\uff0c\u964dE\u5927\u8c03\u548cb\u5c0f\u8c03\u3002\u5de6\u624b\u6216\u53f3\u624b\u5076\u5c14\u53ef\u80fd\u4f1a\u9047\u5230\u53cc\u97f3\u548c\u5f26\u3002<\/p>\n

AURAL TESTS FOR THE GRADE*: see pp. 20 and 22<\/p>\n

Piano GRADE 4\u3000\u94a2\u7434\u56db\u7ea7<\/p>\n

SCALES AND ARPEGGIOS*: see also p. 6
\nScales (similar motion)
\nB, Bb, Eb, Ab, Db majors C#, G#, C, F minors\u3000(melodic or harmonic at candidate\u2019s choice)
\nhands together and separately
\n2 octaves
\nContrary-motion scales
\nF, Eb majors , D, C harmonic minors
\nhands beginning on the key-note (unison)
\n2 octaves
\nChromatic scales
\nbeginning on any black key named by the examiner
\nhands together and separately
\n2 octaves
\nArpeggios
\nB, Bb, Eb, Ab, Db majors , C#, G#, C, F minors
\nhands together and separately
\n2 octaves
\n\u97f3\u9636\u4e0e\u7436\u97f3\uff1a
\n\u97f3\u9636\uff08\u540c\u5411\uff09\uff1a
\nB\uff0c\u964dB\uff0c\u964dE\uff0c\u964dA\uff0c\u964dD\u5927\u8c03
\n\u5347C\uff0c\u5347G, C, F\u5c0f\u8c03\uff08\u7531\u8003\u751f\u9009\u62e9\u65cb\u5f8b\u6216\u548c\u58f0\u5c0f\u8c03\uff09
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u53cd\u5411\u97f3\u9636\uff1a
\nF\uff0c\u964dE\u5927\u8c03
\nD, C\u548c\u58f0\u5c0f\u8c03
\n\u53cc\u624b\u4ece\u4e3b\u97f3\uff08\u540c\u97f3\uff09\u5f00\u59cb\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u534a\u97f3\u9636\uff1a
\n\u4ece\u8003\u5b98\u6307\u5b9a\u7684\u4efb\u4e00\u9ed1\u952e\u97f3\u5f00\u59cb
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u7436\u97f3\uff1a
\nB\uff0c\u964dB\uff0c\u964dE\uff0c\u964dA\uff0c\u964dD\u5927\u8c03
\n\u5347C\uff0c\u5347G, C, F\u5c0f\u8c03
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6<\/p>\n

THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
\n\u4e09\u9996\u4e50\u66f2\uff1a\u8003\u751f\u4eceA\u3001B\u3001C\u4e09\u5957\u66f2\u76ee\u4e2d\u5206\u522b\u9009\u62e9\u4e00\u9996<\/p>\n

LIST A
\n1 Anon. Allegro in F: No. 33 from Nannerl Notenbuch
\n2 J. C. F. Bach Scherzo: from Musikalische Nebenstunden
\n3 Beethoven Minuet in G: No. 2 from Six Minuets, WoO 10\u3000Selected Piano Exam Pieces 2011 & 2012, Grade 4 (ABRSM)
\n4 W. F. Bach Aria in G minor. The Classical Spirit, Book 1 (Alfred 16720\/FM Distribution)
\n5 Kuhlau Vivace: 2nd movt from Sonatina in C, Op. 55 No. 1. Kuhlau Sonatinas, Vol. 1 (Peters EP 715a)
\n6 Mozart Polonoise in D. No. 5 from Mozart 12 petites pi\u00e8ces (2nd Set) (Edition HH 180\/MDS)<\/p>\n

LIST B
\n1 Carroll Alone at Sunset: No. 10 from Sea Idylls
\n2 Kabalevsky Waltz: No. 23 from 24 Little Pieces, Op. 39
\n3 Maikapar Chez le forgeron (At the Smithy): No. 5 from Novelettes mignonnes, Op. 8\u3000Selected Piano Exam Pieces 2011 & 2012, Grade 4(ABRSM)
\n4 Berlioz Hungarian March (from The Damnation of Faust). 11 March Melodies, arr. Johnson (Fentone F378\/De Haske)
\n5 Chaminade Idyll, Op. 126 No. 1. The Romantic Spirit, Book 1 (Alfred 4638\/FM Distribution)
\n6 Hugo Reinhold Scherzo: No. 6 from Miniatur-Bilder, Op. 39 (Doblinger 01104\/MDS)<\/p>\n

LIST C
\n1 A. Benjamin Soldiers in the Distance: from Fantasies
\n2 Gillock Carnival in Rio
\n3 Hengeveld Blues: from Melody and Rhythm Selected Piano Exam Pieces 2011 & 2012, Grade 4 (ABRSM)
\n4 Detlev Glanert Lied im Meer. Spectrum 4: An International Collection of 66 Miniatures for Solo Piano (ABRSM)
\n5 Michael Rose Habanera: No. 6 from Ten Dances (ABRSM)
\n6 Shostakovich Clock-work Doll: No. 6 from Six Children\u2019s Pieces, Op. 69 (Boosey & Hawkes\/MDS)<\/p>\n

SIGHT-READING*: a piece of around eight bars in length, time and key signatures as Grade 3, with the addition of 68 . Anacrusis and occasional chromatic notes, pause signs and tenuto may be encountered. See also p. 7.
\n\u89c6\u594f\uff1a\u5f39\u594f\u4e00\u99968\u5c0f\u8282\u957f\u5ea6\u5de6\u53f3\u7684\u4e50\u66f2\uff0c\u62cd\u53f7\u589e\u52a06\/8\uff0c\u8c03\u53f7\u540c\u4e09\u7ea7\u3002\u53ef\u80fd\u4f1a\u9047\u5230\u5f31\u62cd\u548c\u5076\u5c14\u51fa\u73b0\u7684\u534a\u97f3\u3001\u4f11\u6b62\u7b26\u548c\u4fdd\u6301\u97f3\u3002
\nAURAL TESTS FOR THE GRADE*: see pp. 20 and 22<\/p>\n

Piano GRADE 5\u3000\u94a2\u7434\u4e94\u7ea7<\/p>\n

SCALES AND ARPEGGIOS*: see also p. 6
\nScales (similar motion)
\nall keys, major and minor (minors melodic or harmonic at candidate\u2019s choice)
\nhands together and separately
\n3 octaves
\nContrary-motion scales
\nGroup 1: F, Db\/C# majors and harmonic minors
\nor Group 2: F#, Bb majors and harmonic minors
\nhands beginning on the key-note (unison)\u2021
\n2 octaves
\nChromatic scales
\nbeginning on any note named by the examiner
\nhands together and separately
\n3 octaves
\nChromatic contrary-motion scales
\nbeginning on D (unison) and on Ab (unison)
\n2 octaves
\nArpeggios
\nall keys, major and minor
\nhands together and separately
\n3 octaves<\/p>\n

\u97f3\u9636\u4e0e\u7436\u97f3\uff1a\u53c2\u9605\u201c\u57fa\u672c\u89c4\u5219\u201dd
\n\u97f3\u9636\uff08\u540c\u5411\uff09\uff1a
\n\u6240\u6709\u5927\u8c03\u548c\u5c0f\u8c03\uff08\u7531\u8003\u751f\u9009\u62e9\u65cb\u5f8b\u6216\u548c\u58f0\u5c0f\u8c03\uff09
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n3\u4e2a\u516b\u5ea6
\n\u53cd\u5411\u97f3\u9636\uff1a
\n\u7ec41\uff1aF\uff0c\u964dD\/\u5347C\u5927\u8c03\u4e0e\u548c\u58f0\u5c0f\u8c03
\n\u6216\u7ec42\uff1a\u5347F\uff0c\u964dB\u5927\u8c03\u4e0e\u548c\u58f0\u5c0f\u8c03
\n\u53cc\u624b\u4ece\u4e3b\u97f3\uff08\u540c\u97f3\uff09\u5f00\u59cb\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u534a\u97f3\u9636\uff1a
\n\u4ece\u8003\u5b98\u6307\u5b9a\u7684\u4efb\u4e00\u97f3\u5f00\u59cb
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n3\u4e2a\u516b\u5ea6
\n\u534a\u97f3\u53cd\u5411\u97f3\u9636\uff1a
\n\u4eceD\u97f3\uff08\u540c\u97f3\uff09\u548c\u964dA\u97f3\uff08\u540c\u97f3\uff09\u5f00\u59cb
\n2\u4e2a\u516b\u5ea6
\n\u7436\u97f3\uff1a
\n\u6240\u6709\u5927\u8c03\u548c\u5c0f\u8c03
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n3\u4e2a\u516b\u5ea6<\/p>\n

THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
\n\u4e09\u9996\u4e50\u66f2\uff1a\u8003\u751f\u4eceA\u3001B\u3001C\u4e09\u5957\u66f2\u76ee\u4e2d\u5206\u522b\u9009\u62e9\u4e00\u9996<\/p>\n

LIST A
\n1 J. S. Bach Air: 4th movt from Partita No. 6 in E minor, BWV 830
\n2 J. H. Fiocco Andante: from Pi\u00e8ces de clavecin, Op. 1
\n3 Haydn Menuet and Trio: 3rd movt from Sonata in Bb, Hob. XVI\/2\u3000Selected Piano Exam Pieces 2011 & 2012,Grade 5 (ABRSM)
\n4 T. Arne Presto: 2nd movt from Sonata No. 6. Arne Eight Keyboard Sonatas (Faber)
\n5 J. C. F. Bach Allegro in E minor. No. 12 from J. C. F. Bach Musical Leisure Hours (ABRSM)
\n6 Cimarosa Larghetto in C minor. No. 15 from Cimarosa Sonatas, Book 2 (Broekmans & Van Poppel 871\/MDS) orP. 28 from Contemplations (Boosey & Hawkes\/MDS)<\/p>\n

LIST B
\n1 Gedike Miniature in D minor: No. 2 from Dix miniatures en forme d\u2019\u00e9tudes, Op. 8
\n2 Z\u02c7ilinskis Elegy (In Autumn): from Scenes from Childhood
\n3 Liszt Andantino: No. 4 from F\u00fcnf kleine Klavierst\u00fccke, S. 192 Selected Piano Exam Pieces 2011 & 2012, Grade 5 (ABRSM)
\n4 Glinka Mazurka in C minor. P. 68 from Glinka Complete Works for Piano, Vol. 2 (Konemann Music Budapest K212\u2014Editio Musica Budapest\/FM Distribution)
\n5 Schumann Wiegenliedchen (Cradle Song): No. 6 from Albumbl\u92deter, Op. 124. No. 11 from Schumann 16 Album leaves (ABRSM)
\n6 Tchaikovsky Polka, Op. 39 No. 14. No. 10 from Tchaikovsky Album for the Young, Op. 39 (ABRSM) or More Romantic Pieces for Piano, Book 3 (ABRSM)<\/p>\n

LIST C
\n1 Thiman Flood-Time: No. 5 from Water Pieces
\n2 Gershwin It ain\u2019t necessarily so (from Porgy and Bess), arr. Harris
\n3 Bloch Joyous March: No. 5 from Enfantines Selected Piano Exam Pieces 2011 & 2012,Grade 5 (ABRSM)
\n4 Mike Cornick First Impression: from Blue Piano (Universal 19762\/MDS)
\n5 Mompou P\u00e1jaro triste (Sad Bird): No. 5 from Impresiones \u00edntimas (UME\/Music Sales) or Mompou M\u00fasica para piano (UME\/Music Sales)
\n6 Christopher Norton Dreaming On. No. 11 from The Christopher Norton Rock Preludes Collection (Boosey & Hawkes\/MDS)<\/p>\n

SIGHT-READING*: a piece of around eight to twelve bars in length, time signatures as Grade 4, keys up to
\nfour sharps\/flats (major) or three sharps\/flats (minor). Four-part chords (two notes maximum in either hand),
\nsimple syncopation and a slowing of tempo at the end may be encountered. See also p. 7.
\n\u89c6\u594f\uff1a\u5f39\u594f\u4e00\u99968-12\u5c0f\u8282\u957f\u5ea6\u5de6\u53f3\u7684\u4e50\u66f2\uff0c\u62cd\u53f7\u540c\u56db\u7ea7\uff0c\u8c03\u53f7\u5728\u56db\u4e2a\u5347\u964d\u53f7\u8303\u56f4\u5185\uff08\u5927\u8c03\uff09\u6216\u4e09\u4e2a\u5347\u964d\u53f7\u8303\u56f4\u5185\uff08\u5c0f\u8c03\uff09\u3002\u53ef\u80fd\u4f1a\u9047\u5230\u56db\u90e8\u548c\u58f0\uff08\u5de6\u53f3\u624b\u6700\u591a\u54042\u4e2a\u97f3\uff09\u3001\u7b80\u5355\u7684\u5207\u5206\u97f3\u548c\u7ed3\u5c3e\u5904\u6e10\u6162\u7684\u901f\u5ea6\u3002
\nAURAL TESTS FOR THE GRADE*: see pp. 20 and 23<\/p>\n

Piano GRADE 6\u3000\u94a2\u7434\u516d\u7ea7<\/p>\n

PREREQUISITE FOR ENTRY: Grade 5 (or above) in Theory of Music, Practical Musicianship or any solo Jazz subject.
\n\u62a5\u540d\u5148\u51b3\u6761\u4ef6\uff1a\u4e50\u7406\u3001\u5b9e\u9645\u97f3\u4e50\u6280\u5de7\u6216\u4efb\u4f55\u7235\u58eb\u4e50\u72ec\u594f\u79d1\u76ee\u8fbe\u5230\u4e94\u7ea7\uff08\u6216\u4ee5\u4e0a\uff09\u7a0b\u5ea6<\/p>\n

SCALES AND ARPEGGIOS*: see also p. 6
\nScales (similar motion)
\nall keys, major and minor (minors both melodic and harmonic)
\nlegato, hands together and separately
\n4 octaves
\nStaccato scales
\nGroup 1: A, Eb majors
\nor Group 2: E, Bb majors
\nhands separately\u2021
\n4 octaves
\nContrary-motion scales
\nGroup 1: A, Eb majors and harmonic minors
\nor Group 2: E, Bb majors and harmonic minors
\nlegato, hands beginning on the key-note\u3000(unison)\u2021\u00a7
\n2 octaves
\nStaccato scale in thirds
\nC major
\nhands separately
\n2 octaves
\nChromatic scales
\nbeginning on any note named by the examiner
\nlegato, hands together and separately
\n4 octaves
\nChromatic contrary-motion scale
\nbeginning on A# (L.H.) and C# (R.H.), a minor third apart
\nlegato
\n2 octaves
\nArpeggios
\nall keys, major and minor
\nlegato, hands together and separately
\n4 octaves
\nDiminished sevenths
\nbeginning on B and on C#
\nlegato, hands together and separately
\n4 octaves
\n\u97f3\u9636\u4e0e\u7436\u97f3\uff1a
\n\u97f3\u9636\uff08\u540c\u5411\uff09\uff1a
\n\u6240\u6709\u5927\u8c03\u548c\u5c0f\u8c03\uff08\u65cb\u5f8b\u4e0e\u548c\u58f0\u5c0f\u8c03\u90fd\u8981\u6c42\uff09
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n4\u4e2a\u516b\u5ea6
\n\u65ad\u594f\u97f3\u9636\uff1a
\n\u7ec41\uff1aA\uff0c\u964dE\u5927\u8c03
\n\u6216\u7ec42\uff1aE\uff0c\u964dB\u5927\u8c03
\n\u5206\u624b\u5f39\u594f
\n4\u4e2a\u516b\u5ea6
\n\u53cd\u5411\u97f3\u9636\uff1a
\n\u7ec41\uff1aA\uff0c\u964dE\u5927\u8c03\u4e0e\u548c\u58f0\u5c0f\u8c03
\n\u6216\u7ec42\uff1aE\uff0c\u964dB\u5927\u8c03\u4e0e\u548c\u58f0\u5c0f\u8c03
\n\u53cc\u624b\u4ece\u4e3b\u97f3\uff08\u540c\u97f3\uff09\u5f00\u59cb\u8fdb\u884c\u8fde\u594f
\n2\u4e2a\u516b\u5ea6
\n\u65ad\u594f\u5355\u624b\u4e09\u5ea6\u97f3\u9636\uff1a
\nC\u5927\u8c03
\n\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u534a\u97f3\u9636\uff1a
\n\u4ece\u8003\u5b98\u6307\u5b9a\u7684\u4efb\u4e00\u97f3\u5f00\u59cb
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n4\u4e2a\u516b\u5ea6
\n\u534a\u97f3\u53cd\u5411\u97f3\u9636\uff1a
\n\u5de6\u624b\u4ece\u5347A\u97f3\u5f00\u59cb\uff0c\u53f3\u624b\u4ece\u5347C\u97f3\uff08\u53f3\u624b\uff09\u5f00\u59cb\uff0c\u76f8\u8ddd\u4e00\u4e2a\u5c0f\u4e09\u5ea6
\n\u8fde\u594f
\n2\u4e2a\u516b\u5ea6
\n\u7436\u97f3\uff1a
\n\u6240\u6709\u5927\u8c03\u548c\u5c0f\u8c03
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n4\u4e2a\u516b\u5ea6
\n\u51cf\u4e03\u548c\u5f26\uff1a
\n\u4eceB\u97f3\u548c\u5347C\u97f3\u5f00\u59cb
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n4\u4e2a\u516b\u5ea6<\/p>\n

THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
\n\u4e09\u9996\u4e50\u66f2\uff1a\u8003\u751f\u4eceA\u3001B\u3001C\u4e09\u5957\u66f2\u76ee\u4e2d\u5206\u522b\u9009\u62e9\u4e00\u9996<\/p>\n

LIST A
\n1 Alcock Almand: 1st movt from Suite No. 4 in D minor
\n2 Galuppi Adagio: 1st movt from Sonata in D, Op. 1 No. 4
\n3 Handel Allegro: 2nd movt from Suite in G, HWV 441 Selected Piano Exam Pieces 2011 & 2012, Grade 6 (ABRSM)
\n4 J. S. Bach Prelude in D, BWV 925 (from Clavierb\u00fcchlein f\u00fcr W. F. Bach). J. S. Bach A Little Keyboard Book (ABRSM) or J. S. Bach 18 Little Preludes (ABRSM)
\n5 Cimarosa Allegro in G. No. 12 from Cimarosa Sonatas, Book 2 (Broekmans & Van Poppel 871\/MDS)
\n6 Zipoli Corrente (Allegro): 2nd movt from Suite No. 1 in B minor (from Sonate d\u2019intavolatura, Vol. 2) (Suite published separately: S\u00fcddeutscher Musikverlag SM 2204\/44\u2014Barenreiter)<\/p>\n

LIST B
\n1 Chaminade \u00e9l\u00e9gie: No. 7 from Album des enfants, Series 2, Op. 126
\n2 Grieg Allegro moderato: No. 5 from Poetic Tone-Pictures, Op. 3
\n3 Nielsen Mignon: No. 4 from Five Piano Pieces, Op. 3 Selected Piano Exam Pieces 2011 & 2012, Grade 6 (ABRSM)
\n4 Howard Blake Prelude (Andantino): No. 1 from Lifecycle (or Prelude published separately) (Highbridge Music\/ Music Sales)
\n5 Grovlez Petites litanies de J\u00e9sus: from L\u2019Almanach aux images (Stainer & Bell 0534)
\n6 Tchaikovsky The Witch (Baba Yaga), Op. 39 No. 20. No. 20 from Tchaikovsky Album for the Young, Op. 39 (ABRSM) or More Romantic Pieces for Piano, Book 4 (ABRSM)<\/p>\n

LIST C
\n1 Foster Soir\u00e9e Polka
\n2 Rodrigo Pastoral
\n3 Takemitsu Clouds: No. 2 from Piano Pieces for Children Selected Piano Exam Pieces 2011 & 2012, Grade 6 (ABRSM)
\n4 Ross Lee Finney Jack Rabbit: from Youth\u2019s Companion. No. 10 from 20th-Century Composers, Intermediate PianoBook (Peters EP 54199)
\n5 Frank Martin Clair de lune (Petit nocturne) (Billaudot GB6406\/UMP)
\n6 Oscar Peterson Jazz Exercise No. 3. P. 52 from Peterson Jazz Exercises, Minuets, Etudes & Pieces for Piano, 2nd Edition (Hal Leonard\/Music Sales)<\/p>\n

SIGHT-READING*: a piece of around twelve to sixteen bars in length, time signatures as Grade 5, with the addition of 9\/8, 5\/4 and 5\/8 , keys up to four sharps\/flats (major and minor). Triplet rhythms, some clef changes and sparing use of the right pedal may be encountered. See also p. 7.
\n\u89c6\u594f\uff1a\u5f39\u594f\u4e00\u999612-16\u5c0f\u8282\u957f\u5ea6\u5de6\u53f3\u7684\u4e50\u66f2\uff0c\u62cd\u53f7\u589e\u52a09\/8\u30015\/4\u548c5\/8\uff0c\u8c03\u53f7\u5728\u56db\u4e2a\u5347\u964d\u53f7\u8303\u56f4\u5185\uff08\u5927\u8c03\u548c\u5c0f\u8c03\uff09\u3002\u53ef\u80fd\u4f1a\u9047\u5230\u4e09\u8fde\u97f3\u8282\u594f\u3001\u4e00\u4e9b\u8c31\u53f7\u7684\u53d8\u5316\u548c\u53f3\u8e0f\u677f\u7684\u9002\u5f53\u8fd0\u7528\u3002<\/p>\n

AURAL TESTS FOR THE GRADE*: see pp. 20 and 23<\/p>\n

Piano GRADE 7\u3000\u94a2\u7434\u4e03\u7ea7<\/p>\n

PREREQUISITE FOR ENTRY: Grade 5 (or above) in Theory of Music, Practical Musicianship or any solo Jazz subject.
\n\u62a5\u540d\u5148\u51b3\u6761\u4ef6\uff1a\u4e50\u7406\u3001\u5b9e\u9645\u97f3\u4e50\u6280\u5de7\u6216\u4efb\u4f55\u7235\u58eb\u4e50\u72ec\u594f\u79d1\u76ee\u8fbe\u5230\u4e94\u7ea7\uff08\u6216\u4ee5\u4e0a\uff09\u7a0b\u5ea6<\/p>\n

SCALES AND ARPEGGIOS*: see also p. 6
\nScales (similar motion)
\nGroup 1: C, D, E, F#, Bb, Ab\/G# majors & minors
\nor Group 2: G, A, B, F, Eb, Db\/C# majors & minors
\n(minors both melodic and harmonic)
\nlegato or staccato as directed by the examiner, hands together and separately\u2021
\n4 octaves
\nScales a third apart
\nGroup 1 or Group 2 keys as above (majors & harmonic minors only)
\nlegato or staccato as directed by the examiner, hands together
\n4 octaves
\nContrary-motion scales
\nGroup 1 or Group 2 keys as above (majors & harmonic minors only)
\nlegato or staccato as directed by the examiner, hands beginning onthe key-note (unison)\u2021\u00a7
\n2 octaves
\nLegato scale in thirds
\nC major
\nhands separately
\n2 octaves
\nStaccato scale in sixths
\nC major
\nhands separately
\n2 octaves
\nChromatic scales
\nbeginning on any note named by the examiner
\nlegato or staccato as directed by the examiner, hands together and separately
\n4 octaves
\nChromatic contrary-motion scales
\nbeginning on C (unison) and on F# (unison)
\nlegato or staccato as directed by the examiner
\n2 octaves
\nArpeggios
\nGroup 1 or Group 2 keys as above
\nlegato, hands together and sepa rately, in root position and first inversion\u2021\u00a7
\n4 octaves
\nDominant sevenths
\nGroup 1: in the keys of C, D, E, F#, Bb, Ab
\nor Group 2: in the keys of G, A, B, F, Eb, Db
\nlegato, hands together and separately
\n4 octaves
\nDiminished sevenths
\nbeginning on A and on C#
\nlegato, hands together and separately
\n4 octaves
\n\u97f3\u9636\u4e0e\u7436\u97f3\uff1a
\n\u97f3\u9636\uff08\u540c\u5411\uff09\uff1a
\n\u7ec41\uff1aC\uff0cD\uff0cE\uff0c\u5347F\uff0c\u964dB\uff0c\u964dA\/\u5347G\u5927\u8c03\u548c\u5c0f\u8c03
\n\u6216\u7ec42\uff1aG\uff0cA\uff0cB\uff0cF\uff0c\u964dE\uff0c\u964dD\/\u5347C\u5927\u8c03\u548c\u5c0f\u8c03\uff08\u65cb\u5f8b\u4e0e\u548c\u58f0\u5c0f\u8c03\u90fd\u8981\u6c42\uff09
\n\u7531\u8003\u5b98\u8981\u6c42\u8fde\u594f\u6216\u65ad\u594f
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n4\u4e2a\u516b\u5ea6
\n\u53cc\u624b\u76f8\u8ddd\u4e09\u5ea6\u97f3\u9636\uff1a
\n\u7ec41\u6216\u7ec42\uff0c\u8c03\u6027\u5982\u4e0a\u6240\u793a\uff08\u5c0f\u8c03\u53ea\u8981\u6c42\u548c\u58f0\u5c0f\u8c03\uff09
\n\u7531\u8003\u5b98\u8981\u6c42\u8fde\u594f\u6216\u65ad\u594f
\n\u53cc\u624b\u5f39\u594f
\n4\u4e2a\u516b\u5ea6
\n\u53cd\u5411\u97f3\u9636\uff1a
\n\u7ec41\u6216\u7ec42\uff0c\u8c03\u6027\u5982\u4e0a\u6240\u793a\uff08\u5c0f\u8c03\u53ea\u8981\u6c42\u548c\u58f0\u5c0f\u8c03\uff09
\n\u7531\u8003\u5b98\u8981\u6c42\u8fde\u594f\u6216\u65ad\u594f
\n\u53cc\u624b\u4ece\u4e3b\u97f3\uff08\u540c\u97f3\uff09\u5f00\u59cb\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u8fde\u594f\u5355\u624b\u4e09\u5ea6\u97f3\u9636\uff1a
\nC\u5927\u8c03
\n\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u65ad\u594f\u5355\u624b\u516d\u5ea6\u97f3\u9636\uff1a
\nC\u5927\u8c03
\n\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u534a\u97f3\u9636\uff1a
\n\u4ece\u8003\u5b98\u6307\u5b9a\u7684\u4efb\u4e00\u97f3\u5f00\u59cb
\n\u7531\u8003\u5b98\u8981\u6c42\u8fde\u594f\u6216\u65ad\u594f
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n4\u4e2a\u516b\u5ea6
\n\u534a\u97f3\u53cd\u5411\u97f3\u9636\uff1a
\n\u4eceC\u97f3\uff08\u540c\u97f3\uff09\u548c\u5347F\u97f3\uff08\u540c\u97f3\uff09\u5f00\u59cb
\n\u7531\u8003\u5b98\u8981\u6c42\u8fde\u594f\u6216\u65ad\u594f
\n2\u4e2a\u516b\u5ea6
\n\u7436\u97f3\uff1a
\n\u7ec41\u6216\u7ec42\uff0c\u8c03\u6027\u5982\u4e0a\u6240\u793a
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n\u4ee5\u539f\u4f4d\u548c\u7b2c\u4e00\u8f6c\u4f4d\u5f62\u5f0f
\n4\u4e2a\u516b\u5ea6
\n\u5c5e\u4e03\u548c\u5f26\uff1a
\n\u7ec41\uff1aC\uff0cD\uff0cE\uff0c\u5347F\uff0c\u964dB\uff0c\u964dA\u8c03\u8303\u56f4\u5185
\n\u6216\u7ec42\uff1aG\uff0cA\uff0cB\uff0cF\uff0c\u964dE\uff0c\u964dD\u8c03\u8303\u56f4\u5185
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n4\u4e2a\u516b\u5ea6
\n\u51cf\u4e03\u548c\u5f26\uff1a
\n\u4eceA\u97f3\u548c\u5347C\u97f3\u5f00\u59cb
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n4\u4e2a\u516b\u5ea6<\/p>\n

THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
\n\u4e09\u9996\u4e50\u66f2\uff1a\u8003\u751f\u4eceA\u3001B\u3001C\u4e09\u5957\u66f2\u76ee\u4e2d\u5206\u522b\u9009\u62e9\u4e00\u9996<\/p>\n

LIST A
\n1 T. Arne Allegro: 2nd movt from Sonata No. 3 in G
\n2 Handel Allemande: 3rd movt from Suite in D minor, HWV 428
\n3 Mozart Presto: 3rd movt from Sonata in F, K. 280\/189e Selected Piano Exam Pieces 2011 & 2012,Grade 7 (ABRSM)
\n4 C. P. E. Bach Allegro: 1st movt from Sonata in Bb, Wq. 62\/16, H. 116. No. 16 from C. P. E. Bach Piano Sonatas, Vol. 2 (Henle 377 or Henle 377\/MDS)
\n5 J. S. Bach Sinfonia No. 10 in G, BWV 796. J. S. Bach Inventions and Sinfonias (ABRSM)
\n6 Daquin Le coucou (The Cuckoo): from Premier livre de pi\u00e8ces de clavecin. No. 2 from A Keyboard Anthology, 3rd Series, Book 5 (ABRSM)<\/p>\n

LIST B
\n1 Bruch Schwedischer Tanz in A minor: No. 14 from Schwedische Tanze, Op. 63
\n2 Skryabin Prelude in Db: No. 3 from Seven Preludes, Op. 17
\n3 Turina Conchita r\u00eave: No. 6 from Ninerias, Series 2, Op. 56 Selected Piano Exam Pieces 2011 & 2012, Grade 7 (ABRSM)
\n4 Granados Viniendo de la fuente (Coming from the Fountain): No. 5 from Cuentos de la juventud, Op. 1 (ABRSM) or More Romantic Pieces for Piano, Book 4 (ABRSM)
\n5 Liszt Romance in E minor (S. 169). No. 15 from Liszt Easy Pieces and Dances (Barenreiter BA 6577)
\n6 Szymanowski Prelude in Db: No. 3 from Nine Preludes, Op. 1 (Universal 3852\/MDS) or More Romantic Pieces for Piano, Book 5 (ABRSM)<\/p>\n

LIST C
\n1 Kabalevsky Presto: 3rd movt from Sonatina, Op. 13 No. 1
\n2 Martin\u02dau Harlequin (Scherzo): from Puppets, Book 2
\n3 Paul Francis Webster and Sonny Burke Black Coffee, arr. Booth Selected Piano Exam Pieces 2011 & 2012,Grade 7 (ABRSM)
\n4 Gershwin \u2019S Wonderful. Meet George Gershwin at the Keyboard (Faber)
\n5 Stephen Hough Valse enigmatique No. 2. Hough Suite R-B and Other Enigmas (Weinberger\/FM Distribution)
\n6 Poulenc Le petit \u00e9l\u00e9phant: from L\u2019Histoire de Babar (piece published separately: Billaudot GB6398\/UMP)<\/p>\n

SIGHT-READING*: a piece of around sixteen to twenty bars in length, time and key signatures as Grade 6, with the addition of 7\/8 and 7\/4. Tempo changes, the 8va sign and the use of the una corda pedal may be encountered. See also p. 7.
\n\u89c6\u594f\uff1a\u5f39\u594f\u4e00\u999616-20\u5c0f\u8282\u957f\u5ea6\u5de6\u53f3\u7684\u4e50\u66f2\uff0c\u62cd\u53f7\u589e\u52a07\/8\u548c7\/4\uff0c\u8c03\u53f7\u540c\u516d\u7ea7\u3002\u53ef\u80fd\u4f1a\u9047\u5230\u901f\u5ea6\u53d8\u5316\u3001\u516b\u5ea6\u8bb0\u53f7\u548c\u5f31\u97f3\u8e0f\u677f\u7684\u8fd0\u7528\u3002<\/p>\n

AURAL TESTS FOR THE GRADE*: see pp. 20 and 24<\/p>\n

Piano GRADE 8\u3000\u94a2\u7434\u516b\u7ea7<\/p>\n

PREREQUISITE FOR ENTRY: Grade 5 (or above) in Theory of Music, Practical Musicianship or any soloJazz subject.
\n\u62a5\u540d\u5148\u51b3\u6761\u4ef6\uff1a\u4e50\u7406\u3001\u5b9e\u9645\u97f3\u4e50\u6280\u5de7\u6216\u4efb\u4f55\u7235\u58eb\u4e50\u72ec\u594f\u79d1\u76ee\u8fbe\u5230\u4e94\u7ea7\uff08\u6216\u4ee5\u4e0a\uff09\u7a0b\u5ea6<\/p>\n

SCALES AND ARPEGGIOS*: see also p. 6
\nScales (similar motion)
\nC, D, B, F#, F, Eb, Ab\/G#, Db\/C# majors & minors (minors both melodic and harmonic)
\nlegato or staccato as directed by the examiner, hands together and separately
\n4 octaves
\nScales a third apart
\nkeys as above (majors & harmonic minors only)
\nlegato or staccato as directed by the examiner, hands together
\n4 octaves
\nScales a sixth apart
\nkeys as above (majors & harmonic minors only)
\nlegato or staccato as directed by the examiner, hands together
\n4 octaves
\nLegato scales in thirds
\nC and Bb majors
\nhands separately
\n2 octaves
\nChromatic scales a minor third apart
\nbeginning on any notes named by the examiner
\nlegato or staccato as directed by the examiner, hands together
\n4 octaves
\nChromatic scale in minor thirds
\nbeginning on A#\/C# legato, hands separately 2 octaves
\nWhole-tone scale
\nbeginning on E
\nlegato, hands together and sepa rately
\n2 octaves
\nArpeggios
\nkeys as for scales (similar motion) above
\nlegato, hands together and sepa rately, in root position, first and second inversions
\n4 octaves
\nDominant sevenths
\nin the keys of C, D, B, F#, F, Eb, Ab, Db
\nlegato, hands together and sepa rately
\n4 octaves
\nDiminished sevenths
\nbeginning on any note named by the examiner
\nlegato, hands together and sepa rately
\n4 octaves
\n\u97f3\u9636\u4e0e\u7436\u97f3\uff1a
\n\u97f3\u9636\uff08\u540c\u5411\uff09\uff1a
\nC\uff0cD\uff0cB\uff0c\u5347F\uff0cF\uff0c\u964dE\uff0c\u964dA\/\u5347G\uff0c\u964dD\/\u5347C\u5927\u8c03\u548c\u5c0f\u8c03\uff08\u65cb\u5f8b\u4e0e\u548c\u58f0\u5c0f\u8c03\u90fd\u8981\u6c42\uff09
\n\u7531\u8003\u5b98\u8981\u6c42\u8fde\u594f\u6216\u65ad\u594f
\n\u53cc\u624b\u548c\u5206\u624b\u5f39\u594f
\n4\u4e2a\u516b\u5ea6
\n\u53cc\u624b\u76f8\u8ddd\u4e09\u5ea6\u97f3\u9636\uff1a
\n\u8c03\u6027\u5982\u4e0a\u6240\u793a\uff08\u5c0f\u8c03\u53ea\u8981\u6c42\u548c\u58f0\u5c0f\u8c03\uff09
\n\u7531\u8003\u5b98\u8981\u6c42\u8fde\u594f\u6216\u65ad\u594f
\n\u53cc\u624b\u5f39\u594f
\n4\u4e2a\u516b\u5ea6
\n\u53cc\u624b\u76f8\u8ddd\u516d\u5ea6\u97f3\u9636\uff1a
\n\u8c03\u6027\u5982\u4e0a\u6240\u793a\uff08\u5c0f\u8c03\u53ea\u8981\u6c42\u548c\u58f0\u5c0f\u8c03\uff09
\n\u7531\u8003\u5b98\u8981\u6c42\u8fde\u594f\u6216\u65ad\u594f
\n\u53cc\u624b\u5f39\u594f
\n4\u4e2a\u516b\u5ea6
\n\u8fde\u594f\u5355\u624b\u4e09\u5ea6\u97f3\u9636\uff1a
\nC\uff0c\u964dB\u5927\u8c03
\n\u5206\u624b\u5f39\u594f
\n2\u4e2a\u516b\u5ea6
\n\u53cc\u624b\u76f8\u8ddd\u5c0f\u4e09\u5ea6\u534a\u97f3\u9636\uff1a
\n\u4ece\u8003\u5b98\u6307\u5b9a\u7684\u4efb\u4e00\u97f3\u5f00\u59cb
\n\u7531\u8003\u5b98\u8981\u6c42\u8fde\u594f\u6216\u65ad\u594f
\n\u53cc\u624b\u5f39\u594f
\n4\u4e2a\u516b\u5ea6
\n\u5355\u624b\u4e09\u5ea6\u534a\u97f3\u9636\uff1a
\n\u4ece\u5347A\u97f3\/\u5347C\u97f3\u5f00\u59cb
\n\u5206\u624b\u8fde\u594f
\n2\u4e2a\u516b\u5ea6
\n\u5168\u97f3\u9636\uff1a
\n\u4eceE\u97f3\u5f00\u59cb
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n2\u4e2a\u516b\u5ea6
\n\u7436\u97f3\uff1a
\n\u8c03\u6027\u5982\u4ee5\u4e0a\u97f3\u9636\uff08\u540c\u5411\uff09\u4e2d\u6240\u793a
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n\u4ee5\u539f\u4f4d\u3001\u7b2c\u4e00\u8f6c\u4f4d\u548c\u7b2c\u4e8c\u8f6c\u4f4d\u5f62\u5f0f
\n4\u4e2a\u516b\u5ea6
\n\u5c5e\u4e03\u548c\u5f26\uff1a
\n\u5728C\uff0cD\uff0cB\uff0c\u5347F\uff0cF\uff0c\u964dE\uff0c\u964dA\uff0c\u964dD\u8c03\u8303\u56f4\u5185
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n4\u4e2a\u516b\u5ea6
\n\u51cf\u4e03\u548c\u5f26\uff1a
\n\u4ece\u8003\u5b98\u6307\u5b9a\u7684\u4efb\u4e00\u97f3\u5f00\u59cb
\n\u53cc\u624b\u548c\u5206\u624b\u8fdb\u884c\u8fde\u594f
\n4\u4e2a\u516b\u5ea6<\/p>\n

THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
\n\u4e09\u9996\u4e50\u66f2\uff1a\u8003\u751f\u4eceA\u3001B\u3001C\u4e09\u5957\u66f2\u76ee\u4e2d\u5206\u522b\u9009\u62e9\u4e00\u9996
\nLIST A
\n1 J. S. Bach Capriccio: 6th movt from Partita No. 2 in C minor, BWV 826
\n2 Trygve Madsen Prelude and Fugue in C: No. 1 from 24 Preludes and Fugues, Op. 101
\n3 C. Schumann Prelude and Fugue in Bb: No. 2 from Three Preludes and Fugues, Op. 16 Selected Piano Exam Pieces 2011 & 2012, Grade 8 (ABRSM)
\n4 J. S. Bach Prelude and Fugue in Bb, BWV 866: No. 21 from The Well-Tempered Clavier, Part 1 (ABRSM)
\n5 Handel Prelude and Allemande: 1st and 2nd movts from Suite (No. 5) in E (1720 Collection), HWV 430. Handel Eight Great Suites, Book 2 (ABRSM)
\n6 Ravel Fugue: No. 2 from Le tombeau de Couperin (Durand\/UMP or Peters EP 7376)
\n7 D. Scarlatti Sonata in F# minor, Kp. 25 (L. 481). No. 25 from Scarlatti Keyboard Pieces and Sonatas, Book 2 (ABRSM) or No. 6 from Scarlatti 200 Sonatas, Vol. 1 (Editio Musica Budapest Z.7817\/FM Distribution)
\n8 D. Scarlatti Sonata in B minor, Kp. 27 (L. 449). No. 19 from Baroque Keyboard Pieces, Book 4 (ABRSM) or No. 8 from Scarlatti 200 Sonatas, Vol. 1 (Editio Musica Budapest Z.7817\/FM Distribution)<\/p>\n

LIST B
\n1 Beethoven Rondo: 3rd movt from Sonata in C minor, Op. 13
\n(Grande Sonate path\u00e9tique)
\n2 Field Allegro moderato: 1st movt from Sonata in Eb, Op. 1 No. 1 Selected Piano Exam Pieces 2011 & 2012,Grade 8 (ABRSM)
\n3 Mozart Allegro: 1st movt from Sonata in D, K. 284\/205b
\n4 Beethoven Allegro: 4th movt from (Grand) Sonata in Ab, Op. 26. Sonata published individually (ABRSM) or Beethoven The 35 Piano Sonatas, Vol. 2 (ABRSM) or No. 12 from Beethoven Complete Pianoforte Sonatas, Vol. 2 (ABRSM)
\n5 Clementi Allegro: 1st movt from Sonata in A. No. 6 from Clementi Sonatas, Vol. 1 (Peters EP 146a)
\n6 Haydn Moderato: 1st movt from Sonata in C# minor, Hob. XVI\/36. Haydn Complete Piano Sonatas, Vol. 2 (Wiener Urtext UT 50028\/MDS) or Vol. 3 (2009 new edition: Wiener Urtext UT 50258\/MDS)
\n7 Haydn Allegro moderato: 1st movt from Sonata in Eb, Hob. XVI\/38. No. 3 from Haydn Selected Keyboard Sonatas, Book 2 (ABRSM)
\n8 Schubert Moderato: 1st movt from Sonata in E minor (unfinished), D. 566. Appendix 4a from Schubert Complete Pianoforte Sonatas, Vol. 1 (ABRSM)<\/p>\n

LIST C
\n1 Alb\u00e9niz Sous le palmier: No. 3 from Chants d\u2019Espagne, Op. 232
\n2 Debussy Valse romantique
\n3 Dave Brubeck King for a Day, trans. H. Brubeck
\n4 Chopin Nocturne in B, Op. 32 No. 1
\n5 Gershwin Novelette in Fourths
\n6 Prokofiev Prelude: No. 7 from Ten Pieces, Op. 12
\n7 Y. Bowen Prelude in Eb: No. 7 from 24 Preludes, Op. 102 (Weinberger\/FM Distribution)
\n8 Douglas Finch Toccata montuna. Salsa nueva (Boosey & Hawkes\/MDS)
\n9 Nikolai Kapustin Sonatina, Op. 100 (A-RAM\/MusT)
\n10 Liszt Au lac de Wallenstadt: No. 2 from Ann\u00e9es de P\u00e8lerinage: Premi\u00e8re ann\u00e9e \u2013 Suisse (Henle 173 or Henle 173\/ MDS)
\n11 Messiaen Plainte calme: No. 7 from Pr\u00e9ludes (Durand\/UMP)
\n12 Mompou Canci\u00f3n y Danza No. 1. Mompou M\u00fasica para piano (UME\/Music Sales)
\n13 Rachmaninov M\u00e9lodie in E: No. 3 from Morceaux de fantaisie, Op. 3. Rachmaninov Piano Compositions, Vol. 3 (Boosey & Hawkes\/MDS)
\n14 Schumann Abschied (Farewell): No. 9 from Waldscenen, Op. 82 (ABRSM)
\n15 Smetana Polka in E: from Trois polka de salon, Op. 7. Smetana Polkas (B\u92dcenreiter BA 9506)
\n16 Carl Vine Bagatelle No. 2: from Five Bagatelles (Faber)<\/p>\n

SIGHT-READING*: a piece of around a page in length, time and key signatures as Grade 7, with the addition of 12\/8 and B and Db majors. Three-part chords in either hand, spread chords and simple ornaments may be encountered. See also p. 7.
\n\u89c6\u594f\uff1a\u5f39\u594f\u4e00\u9996\u4e00\u9875\u957f\u5ea6\u5de6\u53f3\u7684\u4e50\u66f2\uff0c\u62cd\u53f7\u589e\u52a012\/8\uff0c\u8c03\u53f7\u589e\u52a0B\u5927\u8c03\u548c\u964dD\u5927\u8c03\u3002\u53ef\u80fd\u4f1a\u9047\u5230\u5de6\u624b\u6216\u53f3\u624b\u58f0\u90e8\u4e09\u58f0\u90e8\u548c\u5f26\u3001\u5c55\u5f00\u7684\u548c\u5f26\u548c\u7b80\u5355\u7684\u88c5\u9970\u97f3\u3002
\nAURAL TESTS FOR THE GRADE*: see pp. 20 and 25<\/p><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

2011-2012\u5e74\u82f1\u7687\u8003\u7ea7(ABRSM)\u94a2\u7434\u6f14\u594f\u8003\u8bd5\u5185\u5bb9(\u4e2d\u82f1\u5bf9\u7167\uff09 ABRSM Piano Syllabu […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.alaipiano.com\/index.php?rest_route=\/wp\/v2\/pages\/9"}],"collection":[{"href":"https:\/\/www.alaipiano.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.alaipiano.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.alaipiano.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alaipiano.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9"}],"version-history":[{"count":1,"href":"https:\/\/www.alaipiano.com\/index.php?rest_route=\/wp\/v2\/pages\/9\/revisions"}],"predecessor-version":[{"id":10,"href":"https:\/\/www.alaipiano.com\/index.php?rest_route=\/wp\/v2\/pages\/9\/revisions\/10"}],"wp:attachment":[{"href":"https:\/\/www.alaipiano.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}